Nielsen did some great work in the field of comedic film, but like any actor he also performed in some really lousy movies. This may have been unavoidable in the last couple of decades, having fallen in as a regular in the Zucker Brothers' films (once a great parody team, now factory engineers of vapid no-brain spoofs). What I'd like to do here in this post is talk about three great works that Leslie Nielsen has left us to admire, lest anyone be tempted to remember him for his role in Superhero Movie. Shudder.
Airplane! (1980) I probably don't need to trump this or worry that it will be forgotten, but I had to mention it first because it is by far my favorite work that Nielsen was involved in. It was also his first major comedic role, setting the stage for the career he'd be known for.

Police Squad! (1982) Few today remember this short-lived television show with much laud (it got canceled after six episodes), but it was a hilarious work of comedic genius. All the one-liner rapidity and comedic timing of Airplane!, wrapped up in a 30-minute television show. It is renowned in some circles as one of the few shows on TV never to have jumped the shark. One of my favorite gags on the show was the "freeze frame" at the end over which they ran the credits. Rather than broadcasting a still, the actors all just froze in place, sometimes in the middle of pouring liquid (which proceeded to overfill the cup and run everywhere), sometimes in the middle of booking a criminal (who looked around confusedly for a moment before slowly slipping away from the frozen cops and running off).

Forbidden Planet (1956) This was Nielsen's premiere role in film--and a lead role at that! Don't watch this movie expecting the deadpan, wise-cracking Leslie Nielsen you've come to know. He's completely straight-arrow and no-nonsense in this film, the captain of a starship sent from earth to a distant planet to investigate the disappearance of an entire colony. He plays opposite the formidable Walter Pigeon, working off a script that was inspired by Shakespeare's The Tempest.

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